Key takeaways

• The Outlaw Audio RR 2160 Mk II stereo receiver is available on the company's online store for$949.
• It's a high-end receiver that delivers amazing sound, has plenty of inputs and outputs, and has bass management that will floor you.
• It's also far heavier than you'd expect.

$999 at Amazon

"If music be the food of love, play on; Give me excess of it," Duke Orsino said in Shakespeare's "Twelfth Night." The soundtrack of my life is filled with music that spans genres, so when I hear audio from high-quality equipment, I want those sounds in excess (or INXS, as it were).

Also: Changing these 5 soundbar settings made my living room feel like a movie theater

It's often a stretch to associate the term "budget" with audiophile-level equipment, but the reality is that products capable of producing truly fantastic audio come with a price tag. Even my trusted personal amp, aNAD D 3020 V2 , wouldn't be considered near audiophile level, but it still costs$500 (and is worth every penny).

So, how does theOutlaw Audio RR 2160 Mk 11 Stereo receiver fare for its$950 asking price? Here's my verdict.

RECOMMENDS

Outlaw Audio RR 2160 Mk II Stereo Receiver

The Outlaw Audio RR 2160 Mk II stereo receiver produces sound you'd find in amps costing twice as much, with an excellent soundstage and bass management.

details

View at Amazon

My curiosity was piqued for Outlaw's "budget" amp (we're talking about a$1,000 price tag), so I agreed to take a look. It turns out that the co-founder of Outlaw Audio, Peter Tribeman, is also one of the co-founders of NAD, the makers of my personal amp and a respected brand of high-fidelity audio equipment. 

The aesthetic and design philosophy of the RR 2160 Mk II is all about drawing inspiration from the classical designs of old art deco radios with a sleek, functional aesthetic. Let me tell you, they succeeded.

Also: This Amazon Fire TV soundbar gave me room-filling audio without breaking the bank

When I unboxed the receiver/amp, my first thought was, "this looks old school." My second thought was about how big and heavy the amp is. It's a beast; be prepared to use some muscle to get this baby set up. Here's what the specs look like:

My experience

It took me a while to get this monster all set up, but once it was in place and connected, I placed Rush's "Signals" on my Rega P8 turntable, and dropped the needle.

The sound floored me.

I hadn't ever heard my KEF speakers come to life like that. Every note, every intonation, every beat was crystal clear. I could hear a separation between the instruments in ways that I hadn't experienced before. 

Also: Netflix introduces a new 'dialogue only' subtitles option (crowd cheers)

Yeah, it took me all of two songs to forget about my NAD amp (which is kind of sad, because I like that little guy). This Outlaw Audio amp is just on another level. I can crank this amp up well beyond 11, and the sound still shines. It may not be the most powerful receiver/amp on the market, but for a 20' X 20' room, this baby is more than capable of threatening the integrity of my ear drums.

No matter what genre I threw at the amp, it delivered. Metal, classical, prog rock, shoegaze, you name it, the RR 2160 Mk II has what it takes to make you smile, dance, headbang, or just stare at the ceiling, lost in the waterfall of sound.

This amp's bass management especially stuck out to me. My SVS subwoofer has a built-in crossover that does a fairly good job, but I wanted to experiment. If you're not sure what a crossover is, it allows you to define what frequency of bass is sent to the sub. You can decide if you only want 60Hz for a kick drum punch, or you can boost it to 80Hz or 100Hz to give the music a beefier bottom.

Also: Why I strongly recommend this Bose speaker to most people - and it's on sale

At first, I allowed my sub to handle the cross-over and felt the bottom end lacking (which was a surprise, given how hefty this sub is). Later on, I decided to let the amp take on the task, and wow, what a difference. The bass management in the RR 2160 Mk II is superb.

After I'd given the amp plenty of time to "burn in" (which really isn't necessary with modern equipment), I put on one of my favorite albums of the year, the "Godzilla Minus One" original score by Naoki Sat